UNESCO has recognised Uilleann piping as being representative of the 'Intangible Cultural Heritage of Humanity'. Excellent news! This result is a testament to the continued hard work and dedication of Na Píobairí Uilleann to the promotion of playing, learning and manufacture of the instrument.
In a particularly insightful message, President Michael D Higgins remarked that the uilleann pipes "connect us in profound ways, weaving together cultural memory and contemporary vision".
Somewhat along those lines, and in much less important news, is that have I gotten a new chanter. I've been looking for a suitable chanter to match my old set of pipes, and the opportunity came for me to acquire this 19th-century instrument which I believed to be the same maker as my own set.
It appears to be related to the Eighteen Moloney, which is in my opinion, one of the best sounding instruments ever (see recordings by David Power and Willie Clancy). Supposedly, the Eighteen Moloney was made by the Moloney brothers of Co. Clare around 1830-40. Both the Eighteen Moloney and my new chanter very much resemble the work Michael Egan of Liverpool and not really like the most famous instrument of the Moloney brothers (The Vandeleur set, pictured below).
Either way, the chanter is an exquisite example of a pre-famine instrument, and I look forward to getting a good reed going (below) for it and marrying it up to my main set of pipes.
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